Picture: Art Institute of Chicago
Silk, warp-float faced satin weave; underlaid with linen, plain weave; embroidered with linen, silk, gilt-metal strips, and gilt-metal-strip-wrapped silk in satin and split stitches; laid work, couching, padded couching; beaded with coral beads; edged with gilt-metal strip and gilt-metal-strip-wrapped silk, twill and plain weaves; lined with silk, plain weave
113.5 x 66.8 cm (44 5/8 x 26 1/4 in.)
Pretty sure this is the back of a priest’s cope, as they almost always have a cross on the back.
In some sources this pointed orphrey end is often paired with two bead saints heads, from the same museum since they are similar in time frame, and materials. Since they are not from the same piece I am seperating them.
“Manipel”, First half of 13th Cen.
In German: Auf dem Mittlestreifen der goldborte finden sich, jeweils paarweise, Vierfüßler, Vogel, baumchen bzh, palmetten, seitlich davon schmale streifen mit Kette aus Rauten – und Winkenhakenformen in gold auf grunbzh. Viloett.
Rechts und links außen steht in Versakein: O SPES DIVINA VIA TUTA POTENS MEDICINA PORRIGE SUBSIDIUM
MISERIS O SANTA MARIA PROTOGE SALVA BENEDIC SANCTIFICA
Closeups are from my Visit to the V&A visit, read notes here.