Tag Archives: Holy roman empire

13th Century: mantel

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Capa Leonis. Cope, which was used during Sigismund’s coronation in 1414, Aachen Cathedral Treasury.

The magnificent choir robe is one of the most valuable textiles in the Aachen Cathedral Treasury.

Not only are the 100 silver bells that adorn the lower hem of the coat, originally made of dark red velvet, unusual, but also the decoration of the border: embroidered, silver-gilt rosettes are applied to a gold background, the centre of which is decorated with pearls or precious stones. Tiny, crocheted parrots sit on the branches and foliage that stretches like a net over the entire fabric of the border.

Local tradition sees the robe as the choir robe that Pope Leo III wore at the legendary consecration of St. Mary’s Church in Aachen in 805. The garment is definitely not that old; it probably only dates back to the 14th century. It is assumed that the robe was used at the coronation and enthronement of King Charles IV in 1349, Sigismund in 1414 and Charles V in 1520 in St. Mary’s Church in Aachen, the German coronation church.

Cologne, 14th century

(Unable to tell, but I think the “daisies” are beads or possibly french knots)

 

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15th Century: linen and silk with brakteats, likely a stole end?

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14th Century: border with brakteats

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15th Century: altar border with seed beads and brakteats

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Lüneburg * Art collection in the Lüne Monastery near Lüneburg * Lüneburg, 15. Jh. ?: Border * Silk, glass beads, linen and metal

 

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14th Century?: border with bratkeats

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Need to find info.

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15th Century: mitre

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15th Century: mitre

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15th Century: mitre

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14th Century: Christ child cloak

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14th Century: Christ child cloak

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14th Century: Christ child cloak

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14th Century: brakteats

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14th Century: Christ child cloak

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14th Century: Crist child cloak

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12th Century: brakteat

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German States, Sacrum Imperium Romanum (HRR Holy Roman Empire)
Reign: probably Henry the Long (1173 – 1227)
Mint: Braunschweig-Lüneburg, Duchy
Date: ca. 1195/1227 AD
Nominal: Bracteate (Brakteat)
Material: Silver Sheet metal
Diameter: 20mm
Weight: 0.49g
Reference: Bonhoff 102
Reference: Berger 494
Reference: Reitz 16 a
Description: Lion standing right, head facing; pellet to right
Comment: Henry (V) the Elder (the Long) of Brunswick (born around 1173/74; died 28 April 1227 in Brunswick) from the Guelph family was Count Palatine of the Rhine from 1195 to 1212. The eldest son of Duke Henry the Lion and Matilda of England, he had been married since January or February 1194 to Agnes of Staufen, the heiress daughter of Count Palatine of the Rhine, Conrad of Staufen. This marriage produced three children, Henry the Younger, Irmengard of the Rhine and Agnes. In his second marriage he was married to Agnes of Landsberg, daughter of Margrave Konrad II of Lower Lusatia (died 1266), from 1211. This marriage remained childless. Since his only son had died childless in 1214 at the age of 17, Henry the Elder designated his nephew Otto the Child, the son of William of Lüneburg, as heir to his estates in 1223. Henry the Elder was buried in Brunswick Cathedral. It is highly probable that Henry donated the St. Gallus relic to the castle chapel of St. Galli at Lauenrode Castle outside Hanover, thereby expressing his secular patronage and feudal lordship over Conrad II. expressed

 

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14th Century: silk brakteats hanging

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14th Century: Christ child cloak

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Clothing for a Child Christ Statue(?)
Second half of 14th Cen.
In German: Bildbekleidung aus der Marktkirche Hannover, Mitte bis 2. Halfte 14 Jh.

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15th Century: Mantle of the Order of the Golden Fleece

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THE VESTMENTS OF THE ORDER OF THE GOLDEN FLEECE

Netherlands, Brussels (?), second and third quarter of the 15th century
Vienna, Schatzkammer A complete set for a chapel:
two hangings for the altar, i.e. frontal and dossal (Frontier, Dossier).

Both 117 x 327 cm; chasuble, 147 x 131 cm; dalmatic and tuncile, both 154 x 125 cm; three large copes, each 164 x 330 cm Stout linen ground. The frames of the pictorial panels are of red velvet with gold bands. Embroidery in gold thread, pearls, topazes, sapphires. Coloured silks in a great variety of shades; red, bluish, pink, brownish red, carmine, flame red, blue in various shades, apple green shading to olive green, ochre, lilac, violet, greyish brown, and various shot tones. Or nue’; heads and hands in needle painting; split and satin stitches and couched work. Each of the panels were then sewn together and framed with the gold borders. Extraordinarily good state of preservation. The age of the work is apparent only in the occasional detachment of the embroidery from the background, some loose threads and very slight losses of pearls.

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12th Century: Roger II Dalmatic

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DALMATIC , PART OF THE INSIGNIA OF THE HOLY ROMAN EMPIRE
Sicily, Palermo, Royal Workshop, 1130 – 1140, Period of King Roger II.
Viuenna, Weltliche Schatzkammer
Cuff: 21 cm wide.
Lower border: 21 cm wide

The robe has the shape of a tunicella with a narrow upper part, long sleeves that taper towards the edge and a skirt that expands towards the hem with side gussets.
Both the blue – with madder and Waid dyed – unbleached base fabric as well as the red, patterned trim of the hem and the cuffs is Samit (scratched silk). Above and below, the wide hem border is bounded by double pearl cords. Gold embroidery in sunk planting technique adorns this border with lilies and palmette shapes. The technical implementation of the embroidery is so close to that of the coronation mantle that one can assume a simultaneous emergence.
A special feature is the embroidery of the cuffs: pearl strings framing palmette motifs whose inner surfaces are filled with gold tubes, which were flattened after sewing. This technique is, as far as we know, unique. The lower edge of the cuffs are decorated with violin-shaped, densely juxtaposed appliqués with gathered cellular enamel, which are stylistically and technically so similar to the mounts on the coronation mantle that there is no doubt about a connection between the two garments.

The neckline of the robe is covered with a 3 cm wide Brettchenborte, which is contoured by means of individually sewn beads. This border is the same as it was sewed on the Alba.
For the first time clearly identifiable the robe appears as a “blue skirt” in a document of the year 1350, with the transfer of the treasury to Charles IV is confirmed, but may well in the mention of a “Rock of Samit” in the inventory of 1246 also already recognize the tunicella.
The tunicella was worn at the coronation under the Alba

Text From: http://www.khm.at/de/objektdb/detail/100470/

The dalmatic is of deep purple silk. The apparles illustrated, however, – a cuff and the lower border – are made of a silk material resembling that of the Coronation Mantle. The gold thread is underside couched, but on the cuff the gold is in the form of minute tubes with the couching thread passed through them. Pearls, gold plaques, enamels and filigree work. According to Fillitz the garment may belong to the same set of vestments as the Coronation Mantle.

Lit.: H. Fillitz, Die Insignien und Kleinodien des Heiligen Romischen Reiches. Vienna-Munich 1954, p. 58, Figs. 27, 28 – P. E. Schramm and F. Mutherich, Denkmale der deutschen Kinige und Kaiser, Munich 1962, p. 182, No. 181

Source: Schuette, Marie and Sigrid Muller-Christensen: Pictorial History of Embroidery ; NY: Frederick Praeger, 1964.

Deep Purple Silk Dalmatic of 1130-40
Cuff detail of the deep purple silk dalmatic of 1130-40 from the insignia of the Holy Roman Empire. It is a product of the royal workshops of Roger II in Palermo. Minute golden tubes fill the pearl motifs whilst the sumptuous effect is increased by the use of large coloured enamel motifs.

From: “Medieval Craftsmen: Embroiderers,” by Kay Staniland, University of Toronto Press, 1991, p. 46. ISBN: 0-8020-6915-0

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