Künstler: Palermo, Königliche Hofwerkstätten
Palermo, 1181 mit späteren Ergänzungen
Textil; liturgisches Gewand; Krönungsornat
Textil; Seide, Golddrahtstickerei, Perlen, Smaragde, Saphire, Amethyst, Spinell, Granat, Opal, Brettchengewebe
Translation: Silk, goldwork embroidery, pearls, Emerald, Sapphire, Amethyst, Spinel, Granat, woven strap (inkle?)
H. 154 cm, B. 127 cm
“+OPERATV(M) FELICI VRBE PANORMI XV. ANNO D(OMI)NI W(ILLELMI) D(E)I GR(ATIA) REGIS SICILIE DVCAT(VS) APVLIE ET PRINCIPAT(VS) CAP(VE) FILII REGIS W(ILLELMI) INDICTIO(N)E XIIII.”; arabische Tulut-Schrift (Übersetzung s. Kat. Schatzkammer 1987)
Kunsthistorisches Museum Wien, Weltliche Schatzkammer
Alb of William II of Sicily (1153-1189).
The precious silk gown was used at the coronations of the kings and emperors of the Holy Roman Empire. There are Latin and Arabic inscriptions on the edge of the broad hem at the bottom. These tell us that the robe was created in Palermo under King William II in the year 1181. In 1194 the alb, along with the coronation robe (and the blue chasuble) was inherited by the Hohenstaufen dynasty and thus passed to the empire as part of the treasure of the Norman kings. Unlike the liturgical alb, the Alb was originally a royal outer garment.
Of particular importance, however, is the fact that on the Alb the embroidery on the cuffs executed in 1181 has been repaired, but the embroidery on the breast has been covered with younger embroidery executed around 1220.
The bottom border shows two motifs made in gold – pairs of confronted lions on white ground and pairs of confronted griffins on a purple ground fabric. Along the upper and lower border run a Latin and Arabic inscriptions indicating it was made for William II in the Royal Workshop of Sicily.
Materials included silk, gold wire embroidery, pearls, emeralds, sapphires, amethysts, spinells, garnets, opals, 154 cm long, 127 cm wide at the hem.
(Source: medieval.webcon.net.au via thegentlemanscloset.tumblr.com)