Charles II era, mid 17th Century
Link to item auction page at Sothrey’s
Height with frame 17 1/2 in. by Width 22 in.; 27.9 by 38.1 cm.
of multicolored beads within a wire grid framework; depicting a lady and gentleman below a crown flanked by a lion and unicorn; in a parcel gilt and ebonized moulded frame
In good condition overall, with a few split threads and scattered losses of beads. The white bead square backgrounds detached from the grid frame in a few places. Not examined out of frame, which has rubbing and scattered minor nicks to the ebonized and gilt surfaces.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above.
Related panels with a similar distinctive grid pattern appear as the base in several surviving 17th-century beadwork baskets, including examples in the Fitzwilliam Museum, Cambridge; the Treasurer’s House, York (National Trust); and the Royal Ontario Museum, Toronto. Beadwork baskets are traditionally thought to have been a domestic art fashioned by gentlewomen from wealthy households, using expensive glass beads imported from Amsterdam and Venice. It has also been suggested that individual components were professionally manufactured and sold as kits.